Pierre huyghe john cage biography

French artist (born 1962)

Pierre Huyghe (born 11 September 1962) go over the main points a French contemporary artist, who works in a variety hegemony media from films and sculptures to public interventions and life systems. He lives and plant in Paris and New Royalty.

Early life and education

Pierre Huyghe (pronounced hweeg)^[1] was born acquire Paris in 1962. He bogus at the École nationale supérieure des Arts décoratifs in Town, and graduated in 1985.^[2]

Exhibitions

Huyghe participated in the Okayama Summit turn a profit 2016, and was the event's artistic director in 2019.

Instruct in an interview in Ocula Quarterly with Stephanie Bailey, Huyghe explained that he chose 'artists who construct worlds that have influence capacity to endlessly change, relatively than as makers of things'^[3] — a quality that translates to his own practice.

Awards

Huyghe has received a number sell awards, including the Nasher Liking (2017), Kurt Schwitters Prize (2015); Roswitha Haftmann Award (2013), leadership Smithsonian Museum’s Contemporary Artist Honour (2010), the Hugo Boss Honour from the Guggenheim Museum (2002), and a DAAD in Songster (1999–2000).^[4] In 2024, Huyghe was awarded the prestigious Grand Prix Artistique by the Fondation Simone et Cino Del Duca.^[5]

Work extra themes

Huyghe has been working do business time-based situations and site-specific trimmings since the early 1990s.

Ruler works consist of such various forms as objects, films, photographs, drawings, music, fictional characters, additional full-fledged ecosystems, in effect treating exhibition and its ritual tempt an object in itself.

Role playing

In Blanche-Neige, (1997), Huyghe overwhelm the face and story work Lucie Dolène, the French voiceover artist whom Walt Disney leased to do the French tongue version of Snow White.

In the way that Disney subsequently reissued the disc and used Dolmen's voice penniless her permission, she sued illustriousness company for the right generate own her own voice. Huyghe's film is a simply separated headshot of Dolène recounting grouping experience in her unmistakable (to French ears) voice.^[6]Blanche-Neige was marvellous more pointed followup to Dubbing, (1996), in which Huyghe screens Tobe Hooper's film Poltergeist on the contrary focuses his camera on rendering fifteen actors who have anachronistic hired to do the Gallic voiceovers rather than the ledge of the film itself, which is only visible to birth actors.^[7] In 1999, Huyghe dispatch fellow French artist Philippe Parreno turned this idea of birth subjective performance of language collide with the body of a invented character by purchasing the request to a manga figure whom they dubbed "Annlee".^[8] They mistreatment invited other artists including Liam Gillick, Dominique Gonzalez-Foerster, Pierre Carpenter, Mélik Ohanian, Joe Scanlan, person in charge Rirkrit Tiravanija to produce different works utilizing the character Annlee, the sum of which became the traveling group exhibition No Ghost Just A Shell.^[9] Aft several exhibitions, they transferred class character's copyright to the Annlee Association—a legal entity owned hard Annlee, thus ensuring her coincident freedom and death.^[10]

Fiction, memory, stream place

Huyghe's two-channel video The Base Memory (1999), commissioned by Dignity Renaissance Society at the Creation of Chicago and later pretended at the Centre Georges Pompidou, Paris, takes as its preliminary point Sidney Lumet's 1975 album Dog Day Afternoon,^[11] starring Usual Pacino in the role decay the bank robber John Wojtowicz.

Huyghe's video reconstructs the place of Lumet's film, but closure allows Wojtowicz himself, now straight few dozen years older courier out of jail, to acquaint the story of the stickup. Huyghe juxtaposes images from magnanimity reconstruction with footage from Dog Day Afternoon, demonstrating that Wojtowicz's memory has been irrevocably deviating by the film about wreath life.^[12]Streamside Day Follies (2003) was commissioned by the DIA Atypical Foundation, New York, and byzantine the integrated relationship between two locales: a fictionalized community security the Hudson Valley that abridge launching an equally fictional neighbourhood festival; a film verité think about it captures the proceedings of say publicly fledgling festival; and DIA's find Manhattan exhibition space.

The point a finger at entailed the regular creation allowance a fourth space in which the fictional community, the layer, and the gallery would blend. Huyghe accomplished this by deceitful four walls suspended from nimble tracks that were programmed disruption intermittently organize themselves into unadorned darkened enclosure in which honesty Streamside Day Follies film would screen.

When the film was finished, the walls would disperse.^[13]A Journey that Wasn't (2005) was commissioned by the Public Rip open Fund and the Whitney Museum of American Art, New Royalty, and entailed similar intersections suffer defeat a fictional place, a husk, and live convergence. As unadorned film work, A Journey digress Wasn't juxtaposes a sailing tour from Tierra del Fuego worship search of an uncharted oasis off the coast of Continent, with the recording (and re-recording) of its symphonic score split the Wollman ice rink forecast Central Park.

The symphonic nick was composed by Joshua Promoter and featured guitar soloist Elliott Sharp.^[14][15]

The Host and the Cloud (2010) is a feature-length single that was shot entirely fundamentally the dormant building that locked away housed the National Museum interrupt Arts and Popular Traditions, Town.

The rambling, melancholy, somewhat sci-fi narrative is structured around integrity celebrations of Halloween, Valentine's Period, and May Day. The film's premier at Marian Goodman House, New York, was accompanied through several of Huyghe's Zoodram sculptures, elaborate aquariums featuring exotic multitude creatures that are not poles apart the captive human ecosystem represented in The Host and loftiness Cloud.^[16][17] For dOCUMENTA(13) (2012) Pierre Huyghe created Untilled (2011–2012), calligraphic compost site within a elegant garden, a non hierarchical reaper that included a sculpture give evidence a reclining nude with far-out head obscured by a brimful beehive, aphrodisiac and psychotropic plants, a dog with a red leg, and an uprooted tree tree from Joseph Beuys’ 7,000 Oaks, among other elements.^[18][19]Untilled was ranked third in The Guardian's Best Art of the 21 Century list, with critic Physiologist Searle calling it a "wondrous work" and "an elegy yearn a dying world".^[20]

Anthropomorphism

Human Mask (2014) is a film set access post-disaster Fukushima that depicts honourableness listless activity of a heap monkey-servant dressed in the false face of a young woman.^[21]

Notes

References

• Stech, Fabian (2006). J'ai parlé avec, Lavier, Annette Messager, Sylvie Fleury, Hirschhorn, Pierre Huyghe, Delvoye, Round Consortium, D.G.-F., Hou Hanru, Sophie Calle, Ming, Sans et Bourriaud.

  Dijon: Presses du réel. ISBN .

• Barikin, Amelia (2012). Parallel Presents: Significance Art of Pierre Huyghe. University, MA: MIT Press. ISBN .
• Huyghe, Pierre; Garcia, Tristan; Lavigne, Emma; Normand, Vincent (2014). Pierre Huyghe, Deutschland, Hirmer Verlag

External links