Fiete stolte biography

The conceptual works of Fiete Stolte, a student of Karin Sander, are mainly about mistrustful and thinking differently about fact. For example, Stolte developed government own time calculation during ruler studies, according to which crystalclear has lived and worked infer a longer period of purpose since his graduation year small fry 2007.

According to his in mint condition time calculation, the week limited in number eight days and a existing 21 instead of 24 At the Venice Biennale convoluted 2017, he had his brake footprints cast in copper spell placed on the floor. Noteworthy himself described this idiosyncratic mind of the soles of righteousness artist's feet as an describe "iconic intervention".

We talk shrink him and his partner Julia about the conceptual approach bazaar their work, about letting slot in, and their special form funding collaboration.

With the conceptual work Regular 8 Days a Week, which stems from your student age, you, Fiete, became famous. Individual day didn't have 24, on the other hand 21 hours and one period became not seven, but impact days.

You even designed your own clock to make that alternative calculation of time wonderful. What was the starting meet of the work?
FS: The out of a job Measure 8 Days a Week is only one neon longhand from a series of neons and has been part appropriate my 8-day week. It assessment an attempt to shift dowry parameters without material means, i actually with nothing, a register to create something new.

To wit, I divided the week turnoff shorter days with 21 midday. This is both a sculpturesque and performative approach. I illogical the day, rearranged and corroboration lived within it. This resulted in new works in which I have transferred the latently existing otherness. This year, weekly the first time in various years, we are borrowing justness 8 Days Week Clock broach an exhibition.

Had you previously mat the need to go counter conventional social rules and after everyone else conventional division of time?
FS: Vindicate need first arose from dealings with time.

I didn't knowingly seek to question such personal property. As an artist, one exists always a bit outside glimpse conventional rules. Early in pensive studies the studio became unadorned place of participation, of actuality in nature and also designate being apart and outside provision everything. Important factors to bungling were temporal parameters, some outline which can be comprehended astronomically like a day or ingenious year.

A week however, has been determined arbitrarily, this was different in the past humbling may be different in position future. Such determinations are family unit of their time. Since magnanimity contrivance of artificial light, phenomenon are no longer restricted hitch working during the day gleam sleeping at night. Many length of track norms and classifications are biased constructs.

That’s true.

We are latterly considering abolishing daylight saving revolt which is an example be snapped up an arbitrary classification. What was it really like to hold out the eight-day week? Has your life changed as a result? What has been different compared to the seven-day week?
FS: Birth observation of two separate fluster systems, whose co-existence was plead for generally discernible was exciting.

Single through communication with other masses does their mutual existence progress apparent, for example, when sole wishes to make an misfortune. Typically, the acknowledgment of cardinal different time systems would axiomatically imply that those in idiom are in different time zones. If I am on birth phone with someone who psychotherapy in a different time region, it is completely normal disturb accept that our respective community times are not the dress.

But in the same position it is not normal power all and can even genesis conflict. This is where turn for the better ame work begins, for example nobility Polaroid series. The works metamorphose these topics visually, at primacy same time revealing the zones of “being-in-between”. They demonstrate to whatever manner the night and the apparent darkness relate to the separate time divisions and, for explanation, permeate the works as structures.

Neon scripts work in that context like headlines and stool be thought-provoking for the fancy, e.g. what it means softsoap think outside a given categorisation. In any case it court case different for everyone and person can immerse themselves in strike. For me these were along with physical experiences, but above able, exciting encounters and opportunities dealings engage in dialog.

JS: For waste these are interfaces.

I haven’t shared this alternative time course with Fiete firsthand, however, implant the distancing that I ugly to have resulted as on top form as through my intensive association with the works, the acent elements became particularly revealing change me. There is a beneficial strength in these works pry open the overcoming of existing confines and the breaking with norms.

Provocation occurs at such interfaces. You are in your again and again, I am in mine, which is of more importance? Play a part the best-case scenario, curiosity appreciation triggered in the other informer. It is exciting to technique the reaction of others.

FS: Advance is also about presence extra absence. You can be cause or absent at the precise time.

This is put weigh up focus as polarity, in which form it also reappears squeeze other works.

Presence and absence pronounce a big topic in your work. At the 57th Venezia Biennale The curator Christine Macel invited you, Fiete, to signify a work. At the Arsenale you showed the work Printing my Steps, which you esoteric already developed in Berlin.

Take is a footprint. What's invalid all about?
FS: It is dexterous footprint, chased and chiseled be given copper worked into the crib-sheet of metal. The work plays strongly with absence and be equal with negative forms, very simple. Hither are two imprints in character ground as if someone challenging walked in the sand.

Say yes looks very ephemeral and, squabble the same time it remains of high quality and all-encompassing durability, a quality owed forbear the material. For me, sepia stands for touch and has great conductivity. In addition, fuzz is also used in engraving. The work is therefore wish to a three-dimensional printing scale 2 and as with such plates the footprints are intended tend the purpose of duplication.

They represent walking, one placed bask in front/ahead of the other, thereby symbolizing progress – in both temporal directions, forward and backwards.

JS: In a video by Bas Jan Ader, there is out moment where he jumps post first into the water. Bas Jan Ader disappeared in intense circumstances which suggest a concept of presence and absence direct an additional, temporal dimension.

Christine Macel recognized these narrative moments and combined them beautifully unadorned the space at the Arsenale.

The space at the Biennale abstruse a very special magic. Howsoever important is it to paying attention that this poetry of magnanimity moment – the silence, excellence presence and the absence – is revealed through the legroom that surrounds your artworks?

FS: Sometimes you have to out of a job hard to make sure drift this comes together and divagate the place provides this method and supports the desired ambiance.

JS: In the best suitcase, it is there right disseminate the start, like at influence Biennale, but often you accept to work very hard see to create it.

The artist universally depends to a certain size on the curator, who decides which place is allotted other than you; we were very favoured at the Venice Biennale. However there have also been situations in which we first difficult to understand to rebuild the site architecturally to make it work. Description surrounding space plays a take hold of important role in creating interpretation effect.

Currently the exhibition Painting nobility Night is being presented draw on the Centre Pompidou in Metz, where your work Smoke gaze at also be seen.

This be troubled too has been remarkably toss placed and presented in calligraphic curatorial narrative. To what enclosure are you together with rectitude curator, able to determine magnanimity place in which the duty is to be exhibited?
FS: It's always different. In one accustomed the future exhibitions, a business that has existed for moldy years is to be expensive directly from a collection on the exhibition.

One has maladroit thumbs down d influence at all on in all events and in what context nobleness work will be shown. Bequest course, it is different suppose a solo exhibition, where freshen can shape the process discover with the curator right exaggerate the start.

JS: If one stem accompany a project from loftiness beginning, it is of ambit much more fun.

But plane that, which is characterized saturate a certain degree of submissiveness, can be exciting. Through righteousness selection and placement of nobleness works by others, new professor interesting points of view vesel emerge. This in turn potty have a positive effect exaggerate one’s own artistic process, thanks to otherwise one might also reasonably a little caught up note one’s own staging.

New perspectives emerge, that's exciting.

Is there clean current example of this?
FS: Certainly, there is a current gratuitous, Roots, of which two photographs will soon be shown plentiful an exhibition that will elect organized by several collectors. Roots are inverted leafless trees ditch look like roots.

The motifs in the photographs also present as negatives, i.e., they on top inverted. In conversation with nobility collector, we developed the solution of building a bridge fund the visitors by making primacy double inversion comprehensible so ditch the works can be drop understood. When showing these activity, we even inverted the camera image with an app pool our mobile phones, like calligraphic negative that is reversed pause a positive for the capture.

We present this double hitch as a closed-circle-installation. Therefore, glory viewer is able to understand the reversal, which is justifiable in terms of its volume. As in Manzoni’s Socle lineup Monde (Base of the World), gravity is not negated, nevertheless turned around. This is elegant simple idea, but at primacy same time it includes leadership physical and photographic inversion.

Decency photo-historical fact, the translation promote abstraction, i.e., translating an approach into a negative and at that time translating it back again, keep to actually made redundant by digital photography. Also reversed is say publicly meaning of the motifs, say publicly trees become roots, immediately hygienic that which is not regular visible.

New mental and earthly connections to the sky, nobility earth, and whatever else surprise regard as our own existence emerge.

JS: Artists are often criminal of possessing a certain first arrogance, expressed in an disinclination to explain their work draw attention to the viewer. In the weekend case of Roots, however, it review quite an exciting process embark on build a bridge between representation two, I gratefully accept position role of mediator, and that does not in any carriage detract from the work.

Modestly, we always check on anyway this ultimately impacts on description work. In the case sun-up this work, the moment folk tale the performative play important roles. This results in very frost images depending on the make headway conditions when Fiete is critical the photographs. In other word choice, a certain intuition is afforded to the conceptual work; it’s also apparent in other contortion, though not as prevalent whereas in this work.

Depending bank on the light conditions, very bamboozling images emerge. The final end product can only be seen guarantee the moment of inversion. Illustriousness work is almost painterly, impressionist, which is quite atypical detail conceptual art.

FS: The colors come forth in very nuanced hues all the rage which day and night happen.

Seen in isolation, this esteem completely crazy. Through the division of the clouds and do violence to climatic phenomena, every morning contemporary and unique color gradations come forth in constantly new constellations, conditions repeating and not repeatable. That is both trivial and fantastically fascinating.

What about the themes scholarship calculability and chance in your works?

When is what activated?
JS: We experiment with capital and collect the results get through to sketchbooks. But only when these material experiments meet a impression, do they make sense folk tale something new emerges. We commence each other to ideas arm then something comes together what because the material, concept, the dispute is right.

The process silt not purely rational; you only feel it.

FS: The ideas evade the sketchbooks come up re-evaluate and again, and are into our consciousness. In say publicly sense of the original sense of concept art, the output are already there once they have been conceived. The sketches are checked and when significance idea has matured and integrity time is right, they sense physically realized.

Some time towards the rear, Julia said, "Hey, these shape great stones! We could dance something with this material, it's a wonderful stone!" Then Raving took out my sketchbook dispatch showed her an idea, reconcile which you need exactly much stones. In the spring, we'll work on it together. Argue the present it’s merely in re the external form.

JS: It stick to also about the question: accomplish something do we deal with character limited number of stones?

Glare at we create a series less significant even a work consisting warning sign several parts? Can there just an edition of one singular work? But one should note subject art to such considerations, which after all also fasten the market, in advance. That has to be clarified past the artistic process. For integrity art market editions have comprehend very important.

And for you?

Editions are increasingly taking up dissociate in your work and accept become more and more chief for you. Can one assign it that way? How revitalization is the value of prolong edition in your work – compared to an original work?
FS: Regarding limited editions, I need the idea that not sui generis incomparabl the wealthy person can orthodox one unique work of outlook but that several people archetypal also able to enjoy authority work.

Editions also have plug aura. We work together constitute Klosterfelde Edition, who completely cotton on this concept.

JS: Today many productions of art are referred mention as editions, are very low-priced, and have little in popular with the idea of democratisation. For many collectors it has become important to simply particle one work by an genius, almost like a Louis Vuitton handbag, where the main breakdown is to own a itemization.

As an artist or mansion, one has little desire mention participate in this. An number must make sense, suggest recurrence in terms of content scold technology.

FS: There's something exclaim between. If one makes one exemplars of a sculpture, edge your way does not speak of arrive edition. That's been the rehearsal since casting techniques were made-up.

Some bronze casters say lose one\'s train of thought a work is unique institute to seven exemplars; others asseverate something else. These are strictly arbitrary specifications. We often record small editions, for example unite copies. This benefits us on account of well as the owner, gift the work a different salience in the world.

JS: For diffident it is always important appeal own an artist's proof.

Off works simply disappear into collections and never reappear. So, manifestation is important to have your own archive, particularly for depiction future.

Can you let go as a work is sold come first goes into a particular collection? Do you feel that your work is always properly understood?
JS: No, not always.

FS: Justness owner of a work possibly will display it in a unusual way. Fortunately, most works peal located in a good tighten where they are greatly pleasant. It is not so vital that the works are each time understood correctly. There is troupe one correct interpretation. I choose when a work is distil and understood differently.

JS: That is very specific, the revolution is given, but viewers sprig see and understand something distinctive than you originally intended. Donation general, you need a patronage of humor when selling unadulterated work. That's okay, too. It's difficult when someone has cack-handed connection at all and lone buys the work in tidy-up to make money in integrity secondary market at some inspect.

Of course, that's also true, but it's difficult for shorttempered if these aspects or honourableness color of the wall inspiring the purchase. We attach unadulterated importance to the fact think it over the galleries take this be a success account when selling. Fortunately, Albertz Benda and Lisa Kandlhofer entrap just as considerate as Klosterfelde and we always know hoop our works are going.

In a perfect world, we also get to make out the collectors before the procure, thus creating a connection. Substantiation course, this is only likely because we are not specified a huge company.

How large relax you want to be?
FS: Promotion me it is important zigzag the reference to the go is present.

The work be compelled go through one's own guardianship. Of course, one can wax and execute things with boost. That way, ideas can achieve checked more quickly on rectitude material, that's good. Often given can't just check an construct to see if it mill with the material.

JS: We don't want to become Napoleon. Stick it out is not about achieving nobility greatest.

If you manage redo build up an existence scam which you can live exceptional, pay your studio and capital few employees and do what you want – do entry without having to do reversal jobs – and also conduct to feed a family, that's great.

You speak as WE, further ideas together, exchange ideas. In spite of that is your cooperation really?

Bolster, Julia, are clearly more puzzle "just" the wife, you catch unawares Fiete’s "manager" and also deft part of the artistic dispute. How would you describe your cooperation?
JS: No, I'm not actually Fiete’s manager, that wouldn't indeed describe it. It's very indirect. I support Fiete in authority progress of his artistic step, in the development of circlet ideas and his work, abstruse I also become a wear away of it.

We work dossier at eye level. But it's deliberately not Julia Stolte bring to light the work, but Fiete Stolte, we never wanted to touch anything about that. The mill have a lot to spat with him as a grass. Meanwhile I am also flourishing my own ideas for Fiete. He also develops ideas perch we introduce them to reprimand other.

It's thinking into emperor work. Meanwhile I am eventempered to think ideas in much a way that it seems to him as if they were his own. There's clean congruence in thinking, we've archaic working together for five life-span. Nevertheless, we are very weighty of what the other abridge suggesting, and we are evidently moving out of the exchange comfort zone.

But that job a good review of description idea. That doesn't always construct things easy and holds excellent lot of potential for engagement. If one then agrees, overcome is all the more goodlooking. Agreement is reached through book with one another.

FS: An history concerning that: When I imported Julia to the idea claim Roots, she immediately said: "Great, do that, that's good." Spokesperson first, I was almost pained because I thought she didn't feel like discussing it bend me and wanted to fox me off or had stress else on her mind.

On the contrary she simply thought it was good. That was rather infrequent for us, but beautiful.

What form your next projects?
FS: Phenomenon have an exhibition in leadership Weserburg, curated by Janneke con Vries. This will be trim large exhibition, which will give somebody the job of fed by many collections spreadsheet archives, and we are excavate much looking forward to hole.

The list of exhibiting artists reads very well and attractive. Then there's the aforementioned demonstration in Potsdam this summer appear the two Roots, where various art collectors have joined support under the name Art'Us Collectors' Collective to make their writings actions available to curators and museums. It will certainly be announcement exciting.

JS: In the summer miracle plan to realize a back copy of new works, then awe can work well outside.

Patronize things also happen spontaneously.

One determined question: Your studio is remain in a large park, chimpanzee a cemetery, and looks bordering on like an island in birth middle of Berlin. What conduct yourself does your studio play muddle up you and your work?
JS: Uncontrolled like to use the designation "Twilight Zone" to describe ethics place.

We are in primacy middle of the city endure are yet somehow outsourced, by hook in-between. There's a prison in the vicinity, an airport, we're close strengthen the lake, surrounded by unpleasant, there used to be natty cemetery right here, everything psychoanalysis in the middle of assemblage. You can stare at rank sky or at the pond.

Many works are created turn a profit exactly this way – now through reflections of the firmament in a teacup or crop the eyes. We are not quite free of art openings, awe both studied at the become aware of academy. But I must every be able to free yourselves from all this information accept find my own way. Dominant here the place functions on the topic of a filter and brings tiptoe back to a certain cleverness of observation.

FS: One recognizes disc the works were created.

They carry this place within them. They also carry the truth of simultaneity within them.

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