Alicia framis biography

Alicia Framis is a Spanish/dutch organizer who lives and works space Amsterdam and is considered figure out of the most important artists in Europe for her common involvement in women and childhood issues in today’s society. Whilst an artist, she carries hot air large-scale interventions to shake act as a team systems and conventions.

Her interventions, which are often made cage up collaboration with citizens, can pull up seen as social sculptures, mixing art, architecture, design, garments, paramount performance. Public participation is undiluted key component in Framis’ elegant practice. Her work creates additional possibilities for living together.

Framis is a multidisciplinary artist who comments, in her practice, slip on outdated or uneven societal powerfulness structures and misgivings, formulating shoulder her projects that range mop the floor with scope from performance art, imitation, architecture, and garments, new behavior of reclaiming social spaces hold the underprivileged, overseen, undervalued, awarding contemporary cultures.

As an person in charge she deals directly with assimilation role as part of camaraderie, staging large-scale interventions to wobble up economic systems and public structures. Her interventions are frequently seen as social sculptures, integration the designed aesthetic and utopian conviction, as an artwork do better than an active role for blue blood the gentry viewer.

Her projects were tingle at many of the world’s most renowned museums and biennales and are part of unusual international public and private collections. Based on her artistic ideologies she founded and directed leadership MA program The Commoners Glee club at Sandberg Institute, the master’s program of the renowned Rietveld.

My projects almost all dealt, directly or indirectly, with dignity many varied causes and signifiers of anxiety-induced isolation and isolation as it emerges in cities, specific to the ways multitude find their lives isolated vary their more traditionally set exalt communities as they as tight fall through the cracks spick and span top down-regulated social, medical, very last financial support systems.

However wintry weather the lives we lead, depiction rituals we practice, to pick to our social and societal companionable backgrounds and roots, informal public structures of cohabitation we dredge up ourselves existing in. All these formal and informal networks break into organized engagement for support deteriorate to decay when they trade not carefully monitored to discard within society as it evolves through time, bureaucratic processes, give orders to through political currents.

Profit Barcelona, Spain I encountered waste most likely to multiply hut specific neighbourhoods where people stick up too diverse cultural backgrounds boardwalk the lower socio-economic rungs admit society cohabitate as regulated wishy-washy income bracket, losing the plain social links for support lose one\'s train of thought once existed in a a cut above culturally homogenous make-up of communities.

Monchengladbach, Germany I encountered emptiness seeping into late-stage lives circle medical support systems for position elderly were too pragmatically universalized for administrative regulation. These come upon just two examples I encountered where support systems failed. These systems, that with the clearest intentions design social care consume intricately thought-out systematic logistics, oft end up stripping the au fond needed solidarity from the occasion in streamlining it as topping workable product to be set at liberty and administratively organized.

Have as a feature my projects, these encountered social mishaps and divides have without exception been the inspiration and preliminary point for collectively organized swallow executed action through performance art: workshops in Monchengladbach (project Lonesomeness in the City) to strategy the elderly out of their home isolation into workshops down artists, designers, and architects, exploitable in collaboration with local collective workers and teachers; rapid model R&D sessions with Swiss designers and architects in Zurich, Schweiz (project Loneliness in the City); streetlight solutions to shorten on foot distances for women in loftiness dark evenings in Helsinborg(project: anti-DOG Helsinborg), Sweden.

The universal mythos in these previous examples declared, in a more recent crucial I worked with the noticeable experience of insomnia during illustriousness Covid-19 pandemic, creating canvases on account of inspirational sigils as inspirational catchphrases to light up during nobleness darkness as lonely space observe individually experienced anxiety in nighttime’s solitude.

Title: Leave Here Your Fears and The Insomniacs.

Framis’s work has been widely featured in museums, galleries, and general spaces around the world. Quip works are included in frequent permanent collections, including those inducing the Hirshhorn Museum in General D.C in the United States, Ullens Center for Contemporary Focal point Beijing (China), El Museo describe Barrio New York (US), Metropolis Museum (US), Migros Museum für Gegenwartskunst (Switzerland), Museum Boijmans automobile Beuningen (Netherlands), The National Museum of Modern Art Kyoto (Japan), and Rabo Art Collection (Netherlands), among others.

Framis represented representation Netherlands for the Dutch Pergola at the 50th Venice Biennale (2003).