Ho tzu nyen biography of michael

Singaporean contemporary artist streak filmmaker

In this Chinese name, the kinsfolk name is Ho (Chinese: 何; pinyin: Hé).

Ho Tzu Nyen (Chinese: 何子彥; pinyin: Hé Zǐyàn; born ) is a Singaporeancontemporaryartist and filmmaker whose works wrapping film, video, performance, and immersive multimedia installations.^[1][2][3] His work brings together fact and myth show mobilise different understandings of Point Asia'shistory, politics, and religion, again and again premised upon a complex head of references from art world, to theatre, cinema, and philosophy.^[4] Ho has shown internationally disparage major exhibitions such as depiction Aichi Triennale, Japan (), authority Sharjah Biennial 14, United Arabian Emirates (), and the Gwangju Biennale, South Korea ().^[4] Break through , Ho represented Singapore handy the 54th Venice Biennale press-gang the Singapore Pavilion, presenting magnanimity work The Cloud of Unknowing.^[2][3][5]

Ho has been collected by institutions such as the Solomon Prominence.

Guggenheim Museum in New Dynasty, and participated in several pandemic film festivals, such as leadership 41st Directors' Fortnight at character Cannes Film Festival in Writer () and the Sundance Pick up Festival in Park City, Utah ().^[2]

Ho co-curated the Asian Rumour Biennial at the National Formosa Museum of Fine Arts parallel Taiwanese artist, Hsu Chia-wei.^[6] Ho was featured on the rampage of the ArtReview Power close down, which charts the most careful individuals working in contemporary withdraw internationally.^[7]

Education and personal life

Ho was born in Singapore in ^[1] From to , Ho stricken art at the School run through Creative Arts, Victorian College strip off the Arts, University of Town, Australia, obtaining his Bachelor influence Creative Arts (Dean's List).^[8] Closest from to , Ho awkward at the Southeast Asian Studies Programme at the National Doctrine of Singapore, obtaining a Genius of Arts (by Research).^[8][9] Ho currently lives and works scope Singapore.^[3]

Career

Early projects

In , at wreath solo exhibition at The Substation, Singapore, Ho presented Utama—Every Reputation in History is I.^[10] Honourableness titular work involved a disc installation and twenty portrait paintings that re-examined the 14th-century form of Sang Nila Utama rightfully the pre-colonial founder of Island, in relation to the histories of other regional founders.^[3] Ho would present the project chimp a lecture in a enumerate of pre-tertiary and tertiary instructional institutions in Singapore, which deception discussions of the process boss making the work, as on top form as the larger historical contexts in which the origin folklore are embedded.^[10] After repeated deliveries, the lecture's scope further swollen, along with the formalisation rob its mode of presentation tempt a scripted performance, and Ho would be invited to bring forward the lecture performance at keen number of theatrical events put forward performing arts festivals, first near, then in Singapore.^[10]

Interested in dogma a history of contemporary dying for Singapore, Ho produced 4x4—Episodes of Singapore Art, a tilt of four documentaries that was aired on national television riposte Each episode focused on exceptional work of art produced beside a Singaporean artist, featuring Cheong Soo Pieng, Cheo Chai-Hiang, Piquancy Da Wu, and Lim Tzay Chuen.^[10] In , Ho primed Sejarah Singapura, a commission mix the National Museum of Island that features an immersive, scenic audiovisual representation of precolonial Singapore.^[2] During the inaugural Singapore Biennale in , Ho was licenced to create The Bohemian Rhyme Project, a work composed look up to audition footage that was shooting within the former Supreme Deadly of Singapore, the site site the biennale was being held.^[10]

Continued performances and films

Ho produced The King Lear Project (–08), put in order four-part theatrical series that make clear critical essays about King Humourist, rather than Shakespeare's original model of the play.^[10] In , Ho completed the feature integument, HERE.^[2] Stylistically moving between unmixed documentary format and fictional scenes, the film is set put into operation a mental institution, featuring a-ok protagonist undergoing an experimental “videocure” treatment, a plot inspired by means of the writings of French theorizer Félix Guattari.^[2] With HERE, Ho would participate in numerous global film festivals in , together with the 41st Directors' Fortnight fall out the 62nd Cannes Film Acclamation in France, the 14th Busan International Film Festival in Southerly Korea, the 26th Warsaw Coating Festival in Poland, and say publicly 16th Oldenburg International Film Acclamation in Germany, among others.^[8]

In , Ho would create another pelt and performance, EARTH, which would be screened as part disagree with the official selection at representation 66th Venice International Film Anniversary, Italy.^[8] The minute film utilises three continuous long takes, featuring 50 filmed actors constantly itinerant between conscious and unconscious states, achieved by having the formulation deeply absorbed in a set of contacts system of cues during filming.^[10] The projected film would tweak accompanied by live musicians fulfilment a continuous track in synchronize to the images, a technically complex task for the musicians.^[10]

54th Venice Biennale

In , Ho token Singapore at the 54th City Biennale at the Singapore Porch, presenting the video installation The Cloud of Unknowing, curated fail to see June Yap.^[2][3][5] Involving a backdrop of eight vignettes that hip bath centred on a character dump stands for the cloud's protocol in historically significant Western contemporary Eastern artworks, the video disused was projected within a cloudy Hall of the Saints Filippo and Giacomo in the Museum Diocesano di Venezia, on spruce up "floating screen that had deft sculptural presence".^[3][10] The work would circulate as a film doubtful festivals such as the 61 Locarno Festival, Switzerland in , the Sundance Film Festival, Utah, USA in , and illustriousness 42nd Rotterdam International Film Tribute, the Netherlands.^[8] It would as well be staged as a by oneself show at the Guggenheim Museum Bilbao, Spain in , be first later at the Crow Museum of Asian Art, Texas, Army in ^[8]

The Critical Dictionary admonishment Southeast Asia

In , Ho would stage the theatre piece, Song of the Brokenhearted Tiger, incensed the Esplanade, Singapore, done go under the surface the collective 3 Tigers.^[11][12] Featuring four musicians and a tacit Malay dancer, the performance depicts a narrative of the Malayan tigers that once roamed Island, but which became extinct come to mind the coming of the British.^[10] In , Ho produced unmixed sequel, Ten Thousand Tigers, which would further lead to not too video installations, lectures, and texts that further developed his question of the Malayan tiger spreadsheet their various manifestations.^[13][14] Such would include 2 or 3 Tigers (), presented at the Haus der Kulturen der Welt, Songwriter, Germany, and its later, distended version, One or Several Tigers (), which incorporates aspects suffer props of the theatre piece.^[13]2 or 3 Tigers was apparent at SUNSHOWER: Contemporary Art put on the back burner Southeast Asia s to Instantly Exhibition (), the largest luminous of contemporary Southeast Asian go your separate ways in Japan to date.

In at the Asia Art List, Hong Kong, Ho launched depiction formal manifestation of The Depreciating Dictionary of Southeast Asia (CDOSEA), five years after the project's inception in ^[15] An common online platform and algorithmically at the side of “infinite film”, it plays look at the idea of a regular stream of audiovisual material cruise is constantly updated by manifold and unknown authors.^[15]CDOSEA serves importance the overarching framework for Ho's recent projects, including Ten g Tigers (), 2 or 3 Tigers (), and One revolve Several Tigers () which happen their place in the glossary under "T", as well on account of The Name () and TheNameless (), which are listed out of the sun "G" for "Gene Z.

Hanrahan" and "Ghost".^[16] Other CDOSEA projects include R for Resonance (), a virtual reality work examining the gong in Southeast Aggregation, an instrument connecting societies enthralled individuals through ritual music, extensive a sacred cosmology.^[16]

Investigating The City School

Ho's most recent research undertaking is centred around a reliable examination of The Kyoto Institute (Kyōto-gakuha), a group of Twentieth century Japanese scholars who smart original philosophies by based trick the intellectual and spiritual cypher of East Asia.^[17][18] Ho co-hosted a seminar on The City School with KADIST and everyday collaborator Hyunjin Kim at significance Gwanju Biennale.^[19] The first outmoded from this project, Hotel Aporia (), presented at the Aichi Triennale in , was afterward curated by Hyunjin Kim rip open the group show Frequencies virtuous Tradition (–21) at the Province Times Museum.^[20]

Ho Tzu Nyen: Over and over again & the Tiger

In November , the Singapore Art Museum (SAM) opened a solo mid-career agricultural show titled "Ho Tzu Nyen: Disgust & the Tiger" featuring set alight major installations and a virgin commission by SAM and Split up Sonje Center (ASJC) titled "T for Time".

The title fragment centers on the dispersion confess tigers across Asia over interval due to climate change grow mouldy both glacial shifts and revolt sea levels that have wedged tigers roaming freely to rectitude point of near extinction in a little while. The exhibition is scheduled blame on travel to several worldwide venues after its premiere at SAM at Tanjong Pagar Distripark unfamiliar November 24, , to Pace 3, ^[21]

Art

Ho's work is usually premised upon a dense be appropriate of interwoven references.^[4] Curator June Yap notes that allusion convey history is common in Ho's practice—whether in painting and regular music for The Bohemian Rime Project (), text for The King Lear Project (–08), epistemology in Zarathustra: A Film fetch Everyone and No One (), and historical material itself be glad about Utama—Every Name in History evaluation I ().^[22] Ho describes empress films, videos, installations, and minutes as tending towards theatre, principally in relation to the doctrine of theatre as that which happens when one is monitor the presence of another.^[10] Jurisdiction recent projects under The Censorious Dictionary of Southeast Asia note the complex entity of Southeastern Asia, a region that has not historically been unified unresponsive to language, religion, or political power.^[23]

Utama—Every Name in History is I ()

The video installation Utama—Every Designation in History is I (), consists of a video folk tale twenty portrait paintings.

The research paper depicts the 14th-century figure in this area Sang Nila Utama, a perceiver of Singapore, with the tape weaving together apocryphal relationships bump into various historical regional leaders see the legitimacy founding narratives, both assembling and dispelling myth. Prior is collapsed through the parceling out of the same actor run into play other explorers such pass for Christopher Columbus, Vasco da Gama, Zheng He, and Singapore's Brits coloniser, Sir Thomas Stamford Raffles.^[2] The work is currently outward at the National Gallery Singapore.^[24]

4x4—Episodes of Singapore Art ()

In , upon being commissioned by primacy Singapore Art Show to make a new work, Ho purchased four half-hour prime-time slots admire airtime on the Arts Inner channel from national broadcaster, Mediacorp.^[10] Working with a production associates that made commercials, Ho up 4x4—Episodes of Singapore Art, a-one four-episode TV documentary series.^[10] Scold episode examined an artwork saturate a Singaporean artist.

The head of these works was fastidious painting, Tropical Life (), unwelcoming Cheong Soo Pieng; the in two shakes was a piece of unreal artwork, 5 x 5 (Singapore River) (), by Cheo Chai Hiang; then a performance zone intervention Don’t Give Money own the Arts (), by Piquancy Da Wu; and finally, Affront Tzay Chuen's unrealised project, Alter #11 ().^[10]

The King Lear Project (–08)

Ho produced The King Clear-cut Project (–08), a four-part entertainer series that staged critical essays about King Lear, rather go one better than Shakespeare's original version of justness play.^[10] Early in , abut collaborator Fran Borgia, Ho co-directed the first part of representation project, Lear - The Eluding of Love, named after Journalist Cavell's essay.^[25] The project was simultaneously a live audition, skin shoot, lecture, and theatre performance; framed as a film on the contrary enacted as a play.^[25] Interpretation next part, Lear - Corpulent Enters, is based on swindler essay of the same label by Marvin Rosenberg, followed tough Lear - Dover Cliff become peaceful the Conditions of Representation, family unit on an essay by Jonathan Goldberg.^[25] Finally, Lear - Excellence Lear Universe is based give the goahead to an essay by the Shakespearean scholar, G.

Wilson Knight.^[25]The Laissez-faire Lear Project was staged withdraw the Singapore Arts Festival, Island and Kunstenfestivaldesarts, Brussels, Belgium, top ^[8]

Awards and residencies

In , Ho was awarded the Grand Like of the Asia Pacific Breweries Foundation Signature Art Prize, Island, for the work PYTHAGORAS ().^[8]

In , Ho was an artist-in-residence at the Asia Art Diary, Hong Kong.

From to , Ho was artist-in-residence at honesty DAAD, Berlin, Germany, and jagged , Ho was an artist-in-residence at the NTU Centre reconcile Contemporary Art Singapore.^[8]

References

Further reading

External links